Film #13. Roman Holiday (1953)

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My recent viewership of the Extraordinary Women documentary episode on Audrey Hepburn rekindled my fascination with the beautiful actress. More precisely, I have been deeply charmed by the handsome and deep-voiced Gregory Peck from the To Kill a Mockingbird unit I taught in my recent student teaching placement.

Honestly, I have seen Roman Holiday multiple times with my mom as one of her favourites, but it did not stick into my mind because I was young. So I played it again.

My new impression was that it’s too romantic to be true. No princess or well-bred woman would casually smile and say “how do you do” to a strange man who took her to his room over the night. In 2013, she would sue him for sexual assault. Moreover it’s highly unlikely for a young man and woman fall in love with each other in one day without knowing who he/she is… But I admit Joe Bradley is a good looking and pleasant man to spend a night with. I would be happy to wake up and see Gregory Peck gazing at me… Ok enough of this.

I think the scenario is rather simple. Roman Holiday  is a purely escapist film devoid of a concrete political or historical context compared to other timeless classics such as Casablanca or Sound Of Music. I suspect it was more for the big names associated with the film that made it famous. Audrey Hapburn was a new face then, but would she have won an Oscar if she debuted with a less profiled director ?

For me, I was delighted to see the charming posture of Gregory Peck in Roman Holiday. It’s sad that neither Peck and Hepburn isn’t around any more for a possibility of a sequel. It was discussed at one point but never came true. How regretful!

I’m searching for another globally appealing title from Gregory Peck’s filmography but there are little I can recognize other than Roman Holiday and To Kill a Mockingbird… I will try anything and everything available.

 

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Book #14. Miguel Street

I am pleased to go back and review this book. I read it once in an advanced English course during my undergraduate and absolutely loved it for its series of alive, frank and sympathetic accounts of the lives of the Third World. Based on my personal experience as a newcomer, it is always inspirational to witness the cultural encounters from different continents and the work of V.S. Naipaul was exactly the right thing.

Naipaul was born in Trinidad and Tobago and studied in England. He has been awarded Man Booker Prize and Nobel Prize for literature for his works that illuminate the legacy of British imperialism and colonialism. This semi-autobiographical short story collection, published early in his career in 1959, has earned him considerable recognition and success as a writer. The 17 short stories are narrated by a nameless young boy, presumably the child version of the author himself, who makes friends with his neighbours in his hometown in Port of Spain.

People in Miguel Street devote themselves in a variety of occupations: tailor (“Bogart”), carpenter (“A Thing Without A Name”), poet (“B. Wordsworth”), student (“His Chosen Calling”), educator (“Titus Hoyt, I.A”), mother (“The Maternal Instinct”), machinist (“The Mechanical Genius“) and religious leader (“Man-Man”). Despite their incredible ambition and passion, they are never able to support themselves with something productive. In a community with degraded sense of morality, community and self-identity, every single one of their own projects are doomed to fall apart in the end.

Elia, the central character in “His Chosen Calling” ends up as a cart driver after failing in every single attempt to obtain school certificate and to become a sanitary inspector. B. Wordsworth dies alone before writing a single line of the “greatest poem ever written.” Titus Hoyt never truly educates any one of his students. Laura, the woman who raises eight children with seven different fathers doesn’t shed a tear over the death of her eldest daughter who was going the same direction as her mother by having a fatherless child. These inhabitants do dream about a better future but they end up totally powerless to rise from the endless poverty, chaos, boredom,  crimes, disappointment and hopelessness that make up the ‘place’ of Miguel Street. The only way to make a positive change was to escape, just like “I” did at the end. 

I was disappointed. Not only by Hat’s cool reception. Disappointed because although I had been away, destined to be gone for good, everything was going on just as before, with nothing to indicate my absence.

…I said to my mother. ‘So this mean I was never going to come back here, eh?’ She laughed and looked happy.

(“How I Left Miguel Street”)

Here’s the analysis I gained from the undergraduate study: the perpetual sense of indifference and inability of the Miguel Street inhabitants comes from their inferior status as the “colonized”: people in Port of Spain derive their daily motivations and sense of pride by mimicking what they deemed as “superior” culture of the “colonizers,” the British and American. Speaking in standard English language and proper accent is something to be looked up and admired. Imitating the habits and appearances of Hollywood actors like Humphrey Bogart or Lax Harrison has become more important for young men than making money to support themselves. No household in the town seems to house a proper functioning family. All those institutions that make up the productive side of life seem to have been seriously demolished in this town: marriage, family, education, occupation, religion and entertainment all drift into some form of violence, crime and self-denial. There was something gravely wrong in the ‘place’ of Miguel Street.  Unable to see the solution, the protagonist flees without any feeling of remorse. How sad is that? Despite the tragedies, the narrator maintains a humorous and comic tone throughout the collection, which makes their tragedies more poignant. … However, I would claim Miguel Street ends happily.

There was a sensational story about a well-known Korean-American violin prodigy who reappears in front of the South Korean public after years of absence. He was seen last Feburary playing his violin in a poorly organized concert in a subway station with a rude host and incompetent guest violinist who clearly did not practice for duet. In the past, he was educated in Juliard and worked with Sony Records. Born as a savant, he was incapable to support himself. There have been speculations about possible beatings and threats done to this man to deteriorate his intelligent capacity. Many South Koreans lamented the lack of appropriate support and care for prodigies and young talents available in the country. Once a victim to the greedy and cruel imperialism, the people in the land have once suffered the grave disease called the sense of ‘inferiority’ but have achieved remarkable success in growing out of it in past decades.  But it seems there are still much left to be done. After all, one cannot succeed by himself in a society that doesn’t support or believe in his dreams.

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Book #13. Young Man and the Sea

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I was perplexed to to teach this book to a grade 11 class during my student teaching placement for a few reasons: first, I never read or heard about this book until now and second, it oddly sounds parallel to Hemingway’s timeless classic Old man and the Sea. Published in 2006, Young Man and the Sea is pretty recent to be considered classic. Rodman Philbrick is an American author known for a number of well received young adult novels published in the past few years.

Living in a small fishing community in Maine, twelve year old Skiff is faced with a number of problems: His mother recently passed away, his father subsequently drifted into alcoholis and the cruel relentless bully, Tyler Croft pursuing him. On the top of that, he has just learned that his boat Mary Rose has been sunk to the bottom of the ocean. Unable to get help from his useless father, Skiff finds an ally in Mr Woodwell, an elderly and retired boatbuilder. With his help, Skiff succeeds in raising the boat, only to learn that he needs 5000 dollars to repair the motor. The only way to get that money for him is to get out in the ocean and single-handedly catch a bluefin tuna for Mr. Nagahachi, a fish marketer from Japan.

Just like the title that pays homage to the famous novella, the plot and character setting of Young Man and the Sea are far from original. For the few few lessons I distributed a summary for each of YMAS and OMAS and have the students compare and contrast the two, and they came up with a plenty of details: both of Skiff and Santiago have a friend with a great age difference (Mr. Woodwell/Manolin), they are both luckless and struggling to catch a big fish beyond their abilities(bluefin tuna/marlin).  The main difference is that Skiff did not lose his reward to a pack of sharks.

Here’s a brief example of Philbrick modelling Hemingway:

Birds, I’m thinking. I need birds. Birds is how you can find fish. When fish make a commotion feeding on the surface, birds will circle over and dive. You can see the birds from a long way off and know where the fish are. (Philbrick, p.125)

 

Just then he saw a man-of-war bird with his long black wings circling in the sky ahead of him. He made a quick drop, slanting down on his black-swept wings, and then circled again. (Hemingway, p.36)

Skiff is a typical motherless and precocious young hero in modern parables. Skiff reminds me of Pi in Life of Pi who shares same way of dealing with the ocean and coping with loneliness. Skiff is also comparable to Billy in Billy Elliot in their dealings with loss of mother and desire to succeed. Despite all of these, I uncritically followed my AT’s choice of October Sky whose mechanical themes of shooting rockets weren’t really close to my heart…

It’s a nice, entertaining read for high schoolers, but I personally prefer much more thought-provoking and political novels such as To Kill a Mockingbird or Fahrenheit 451 for classroom. If I want to have the students read silently for the most of the unit, I would probably choose this.

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Film #12. Anna Karenina (2012)

Joe Wright’s adaptation of Anna Karenina was one of my most anticipated films in 2012 for the following reasons: 1) my love for period pieces, 2) my appreciation of the unforgettable collaboration of the director and the high-cheek boned actress Keira Knightley in Pride and Prejudice and Atonement, and 3) my recent completion of reading Leo Tolstoy’s bulky classic. When I finally found the time to see this film released in the end of 2012, most theatres have long removed the title except for the small village cinema across the corner of my town.

I felt sorry for my company, who anticipated to see the dazzling revival of the Imperial Russia. What Wright did was creating a miniature of the 19th century society in a studio in England with intricate theatrical sets with cardboards and a stage. The actors frequently switched their roles as the players and audience. I have seen other films that attempted blending the mechanics of theatrical play and screen films (e.g. Nicole Kidman’s Dogville) but by far, Wright’s adaptation of the Russian classic is the most stylistic one I have seen.

Everyone must know the story. Anna Karenina, the beautiful wife of a highly esteemed Russian aristocrat, slowly descends into destruction as she begins a blind affair with the young and handsome Count Vronsky. As soon as I finished the novel I posted my afterthoughts on why she deserved such a tragic ending. There has been a controversy on Keira Knightley’s suitability for the role but I did think her natural impression did fit into the passionate heroine.

As the much deserved recipient for the Academy Award for Costume Design, the film simply took my breath away every time Anna changes her dress for each scene. My personal favourite was the snowy Wedding-dressy costume chosen for the doomed Opera scene.

Another thing I loved about the movie was the beautiful score by Dario Marianelli, who has also worked with Wright in the previous Pride and Prejudice and Atonement. I admired the debutant Aaron Taylor-Johnson as the dashing Vronsky. Just like in the book, Levin (Domhnall Gleeson) and Kitty  (Alicia Vikander) make an absolutely adorable couple. With all things considered, I was happy the new onscreen version of the beloved classic, despite other viewers who expected more.

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What’s your favourite Disney feature animation?

Someone posted a question “what’s your favourite Disney animation?” in a portal website I visit daily. Many replied to the post with unforgettable titles such as Aladdin, Lion King, Little Mermaid, Mulan and Beauty and the Beast, but the first one that came to my mind was Tarzan (1999) that has been remembered as the last film to be included in the Disney Renaissance in the 1990s.

As the last film in the decade, Tarzan boasts of Disney’s most highly advanced 2D animation technology. The expressions and actions of the characters are so alive in every second of the film on the three-dimensional background they relived with the Deep Canvas software. But all things aside, the part I love the most is the scenes where Tarzan and Jane secretly exchange the emerging feelings for each other. Largely owing to Phil Colin’s beautiful songs, the emotional depiction is so well done in this film in a way you wouldn’t expect from a two-dimensional animation. The fairly recent Tangled (2010) is of course much more technically advanced but those romantic subtleties were not felt as much as the 12-years earlier work.ImageImageImageTarzan and Jane are arguably my favourite Disney couple. Although not included the famous Disney Princess franchise, Jane Porter is absolutely too adorable heroine to be forgotten. Their lovely chemistry reminds me of that of Princess Aurora and Prince Philip in the legendary Sleeping Beauty (1959) in which a central scene depicted the sweet vibration of young lovers.

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Disney’s incredible ability to relive the interior emotions into the animated characters has been the heart of the countless classics still beloved by the worldwide audience, regardless of gender and age. I’m looking forward to Disney’s new feature animation this year, based on Anderson’s beloved classic Snow Queen. I hope it’ll be as enjoyable and unforgettable as their classics in the 1990s.

I’ll conclude the post with my favourite musical sequence in Disney’s films. Phil Colins is the smartest musical partnership Disney has ever chosen.

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Book #12. The Pearl by John Steinbeck

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I have always wanted to read Steinbeck but never had the courage to tackle the massive and complicated volumes such as East of Eden or the Grapes of Wrath. Honestly, I didn’t find the synopsis very intriguing… Another tragedy, another long journey towards disappointment. What kind of lessons should I derive from books like those?

The Pearl, a novella by the said author, might give me the partial satisfaction to my mixed desire for Steinbeck. I pulled the mint copy out of a school’s library and only managed to read the first two pages. As soon as I got the e-reader, it became my first paid ebook.

The story is about a poor indigenous diver named Kino, his obedient wife Juana, and their baby son Coyotito. One fine morning, Coyotito gets beaten by a scorpion, but the worried parents find themselves without the means to afford the doctor’s service. Juana prays that they would find a pearl worthy enough to pay for the doctor and miraculously, her wish is fulfilled: Kino pulls out the “pearl of the world” from his diving for the day. The hard-working parents delightedly plan for the better future for their life together and the baby son, but things suddenly got worse for the greed and jealousy of the unseen enemies.

While I was reading this book, I was impressed with Steinbeck’s rich usage of verbs. I have seen authors boast their writing skills with their exceptional command of descriptive adjectives, and Steinbeck describes characters and setting primarily throughout actions. In the beginning of the book,  he sets particular setting around Kino’s house to suggest the readers about his natural and humble indigenous life:

Now Kino got up and wrapped his blanket about his head and nose and shoulders. he slipped his feet into his sandals and went outside to watch the dawn. Outside the door he squatted down and gathered the blanket ends about his knees. He saw the specks of Gulf clouds flame high in the air. And a goat came near and sniffed at him and stared with its cold yellow eyes.  Behind him Juana’s fire leaped into flame and threw spears of light through the chinks of the brush-house wall…A late moth blustered in to find the fire.

This first scene of Kino’s humble morning imprinted on reader’s mind brings a particular light to the description of the doctor’s morning few pages later.

In his chamber the doctor sat up in his high bed. He had on his dressing gown of red watered silk that had come from Paris…His eyes rested in puffy little hammocks of flesh and his mouth drooped with discontent. He was growing very stout…He poured his second cup of chocolate and crumbled a sweet biscuit in his fingers. (p.22)

The tension between the two mornings really sets the tone of the major conflicts of the novel: the simplicity of the indigine and the arrogance of the Europeans. However, there is little in the novel that suggests Kino as a representation of a broader group. After all, this is a story of a humble family that are no different from the norms and traditions. Kino’s wife Juana reminds me of O Lan, the wife of Wang Lung in the Good Earth in the way she made no resistance to the hurtful traditions against women.

The Pearl is another precious volume that instils a sense of diversity and compassion, for its shedding truthful light on a humble indigenous family suffering under the lies and exploitation of capitalism. I will definitely progress into one of Steinbeck’s full novels any time soon, having tasted the central theme of his stories.

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Using KOBO Touch e-reader

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I bought KOBO Touch e-reader yesterday at a local Chapters for Canadian $99.99. After months of fruitless research, I concluded it’d be best to get one e-reader for myself and play around with it in order to get full knowledge of its features. Despite its well-known benefits (portability, paperless, weightless, capability for over 10,000 books, etc), I was kind of stricken by its inflexibility that won’t contain the free ebooks downloaded from elsewhere. I have to take some time and training to get friendly with this device that clearly distinguishes from any other mobiles I have been familiar with (i.e. cellphone, iPhone, tablet PC, mp3 player) .

After all, I am happy to save myself from exhaustingly walking down the alleys to seek the copies of books I want. I was beginning to get tired of Chapters and Indigo’s commercialness that overlooks the importance of classics to readers. Kobobooks.com has a decent list of free Classics ebooks I can enjoy (but not Thais by Anatole France and Swann’s Way by Marcel Proust!! :( ), but I won’t refrain myself from paid books whenever I am determined to get through the reading. I purchased The Pearl by John Steinbeck for the price just same as the physical book, which was just worth spending.

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